教學內容 |
本課程每學期均有不同之主題。本學期將以超現實主義電影為主題,探討超現實電影的各種相關議題:如獨特的視覺語言,與社會、文化的互動,受達達主義、荒謬主義和精神分析的影響,對社會制度與宗教的批判,與當時繪畫和文學的呼應,以及如何從當代後結構主義的族群、性別、性向、和階級等觀點看待超現實電影。 |
Syllabus |
This course features a different subject each semester. This time we will examine the surrealist film and the issues in question: how surrealism arose as a cultural movement in the mid-1920’s; how its unique visuals are related to painting, literature, and the Dadaist movement; how a surrealist film displays a similar anti-conventional and absurdist bias, but also seeks to recreate the poetry of the mind, especially with the help of Freud, and make a more pronounced and political attack on the establishment, with some help also from Marx. Finally, how should we interpret a surrealism film within the context of post-structuralist perspectives of ethnicity, sex, sexuality, and class? |